Silvano BOZZOLINI 1911-1998

  
R$ 860,00
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Silvano BOZZOLINI (1911-1998) é um dos grandes nomes do abstracionismo pós-guerra na Itália, com renomada carreira artística. Suas obras estão nas coleções do MoMA, Centre Georges Pompidou, Musée d’Art Moderne de la Ville de Paris, MASP, entre outros.

Serigrafia assinada " BOZZOLINI" e numerada (cada exemplar é único, você estará comprando o número 37 de uma tiragem de 300 exemplares). Apresenta marcas da passagem do tempo, naturais do envelhecimento do papel, que atestam sua longa história. Enviada sem moldura: assim, você pode escolher o acabamento que mais combina com sua decoração.
 
Pagamento em até 12x. 

Dimensões: Largura 36cm | Altura 38cm 


Bozzolini was a prominent exponent of European post-war abstraction and co-founder of the avant-garde group “Espace” that championed geometric abstraction during the 1950’s. Born in Fiesole he studied at the academy of art in Florence during the 1930’s before setting up a group called “Arte d’Oggi”, as well as launching an art journal “Posiziono”, and an artist run gallery “La Porta”. In 1947 he went to Paris to attend the distinguished École des Beaux Arts. He supported himself initially by hand-printing fabrics and his sensitivity to the printed aesthetic would reappear in his later work.  He first began to explore abstraction in 1947 and, with the likes of Sonia Delaunay, embarked on a classical, constructivist approach characterised by a simple, clean palette and an emphasis on line. While discussing his work Bozzolini said “La musculature de l’oeuvre est à la fois physique et spirituelle”, (the strength of the artwork is simultaneously physical and spiritual). In 1952 he co-founded the avant-garde Groupe Espace, which published the journal “Art d’Aujourd’hui,” an influential voice of geometric abstraction and neo-plasticism. He was close friends with the Florentines Suzy and Alberto Magnelli, as well as Jean Pons, Hartung, Deyrolle, Pillet, Gilioli and Manessier. He never forgot his Tuscan heritage of the great works of Giotto, Masaccio, Uccello and Piero della Francesca, which were the subjects of his early study in Florence, and he retained in his painting a similar concern with clarity and spatial perception, which brought him international acclaim.

The artist is now represented in many major museums including Musée d’Art Moderne, Centre Georges Pompidou, Paris; Musée d’Art Moderne de la Ville de Paris; Museum of Modern Art, New York; Museo d’Arte Moderna, Sao Paulo; Galeria d’Arte Moderna, Florence; Museo d’Arte Gravdos, Madrid. 

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